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  1. You are here:  
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  4. General
  5. Subwoofer placement and radiation

Placement & Directivity in the Bass Range

 

Left-Right:

• Often the only option for smaller events due to venue constraints and stage designs.
• One stack of subwoofers on each side of the stage (usually with the top cabinets stacked on top).

 

Advantages:
+ Easy to set up
+ Stereo setup possible
+ Simple controlling (e.g., for CSA, see below)
+ Top cabinets are quickly or easily placed at the correct height.
+ Cardioid behavior can be achieved with just one additional subwoofer and controller channel (CSA).
+ Stacks of 3–4 subwoofers or more can be controlled (each subwoofer separately) to vary vertical directivity,
or to attenuate upward acoustic radiation.

 

Disadvantages:
- So-called "bass alleys / comb filtering" (number of interference nulls increases with frequency)
- Sound is not directional
- Does not "throw" or carry the sound very far.
- No attenuation of the sound pressure level behind the subwoofers.
- Top cabinets are often just placed straight on top due to the stacking feet recesses,
  without any horizontal or vertical tilt.
LR Placement 44Hz LR Placement 125Hz
44Hz, 125Hz

 


 

Spaced Subwoofer Array / Straight Line

• Subwoofers placed side-by-side, but with physical gaps between the individual cabinets.
• A spaced array narrows the horizontal coverage compared to a single mono stack.
• The more subwoofers used, the more directional the coverage becomes.

 

Advantages:
 + CSA (Cardioid) can be utilized
 + Curved/Delayed setups can be used
 + Easy to set up
 + Requires only one controller channel
 + Requires only one amplifier channel
 + High acoustic "throw" / distance coverage
 + No cancellation nulls within the critical frequency range

 

Disadvantages:
 - Spaced arrays produce cancellation nulls above a certain frequency (depending on the gap distance between subs), similar to L-R setups. 
 - Little to no rear attenuation, and if any, only at higher frequencies; instead, it narrows sideways depending on the array size (especially compared to L-R).
 - Requires space and a certain minimum width in front of the stage.
 - No stereo bass split.
Spaced Array Setup

 

 


 

Mono-Cluster Setup

• A mono cluster creates an omnidirectional sphere rather than a directional lobe (compared to a spaced array) but carries further than an L-R setup.
• All subwoofers are placed tightly together in a single row or block.

 

Advantages:
 + CSA (Cardioid) can be utilized
 + Curved/Delayed setups can be used
 + Easy to set up
 + Requires only one controller channel
 + Requires only one amplifier channel
 + "Throws" further than an L-R setup
 + No cancellation nulls within the critical frequency range
 + No side comb filtering compared to a spaced array, and requires less width.

 

Disadvantages:
 - No cancellation to the rear, but attenuation to the sides depending on the size of the cluster.
 - Requires space and width in front of the stage.
 - No stereo bass split.
 - Does not carry as far as a spaced array, but offers more homogenous dispersion.
 - To completely control directivity, we would need a cluster size of roughly 10x10 meters (>40Hz).
Mono-Cluster Setup

 

 


 

CSA - Cardioid Subwoofer Array:

• Easy to implement and works exceptionally well.
• Can be used with L-R setups, mono clusters, or spaced arrays (partially applicable to End-Fire as well).
• One out of three subwoofers is completely reversed (facing backwards), inverted, and delayed.
(Caution: Flipping the phase by 180° on the controller often yields a different result than true signal inversion!)
(Delay: Physical depth of the subwoofer [acoustic centers] + approx. 10-20cm)
(The level should also be adjusted, approx. + 3dB)

 

Advantages:
+ Excellent bass cancellation to the rear
+ Requires only one additional controller path and amplifier channel
+ The reversed subwoofer still adds roughly 1.5dB (instead of 3dB) to the total output
+ Coverage pattern can be slightly shaped via the delay settings (cardioid, hypercardioid...)

 

Disadvantages:
 - Requires an additional controller channel
 - Looks a bit odd because the rear side of one subwoofer is visible
 - Cable routing can be inconvenient.
 - Requires an additional amplifier channel.
CSA: 3 Subs stacked CSA: LR Subs stackedCSA: Spaced Array
Single stack of 3 subs, L-R setup, spaced array

 

 


 

Directional / Curved Bass-Array

• Subwoofers are arranged in a physical arc, delayed towards the outer edges, or both.

 

Advantages:
 + Rearward acoustic radiation is well attenuated
 + Coverage can be heavily shaped by delay times, as can the rear attenuation
 + No loss in acoustic output level

 

Disadvantages:
 - Setup becomes quite large
 - Requires a massive amount of amplifier channels
 - Requires a massive amount of controller channels
 - Must be calculated precisely

 

Info:
• Can also be achieved without separate controller paths by physically staggering the placement of the subwoofers
+ Requires only a single amplifier and DSP channel
- Requires a massive amount of space
- Must be positioned with absolute accuracy
- Any adjustments always involve heavy lifting and reshuffling
Spaced array delayed Spaced array curved Spaced array delayed and curved
Spaced array delayed, spaced array curved, spaced array delayed and curved


Mono Curved Endfire curved Endfire 3 Rows Curved
Mono Curved, Endfire curved, Endfire 3 Rows Curved

 

 


 

EFA - End Fire Array

• A highly discussed topic on the internet! ;-)
• Subwoofers are set up similarly to a spaced array, but with additional identical stacks placed directly behind them; the front rows are then delayed.

 

Advantages:
+ Rearward sound is well attenuated if the delay is set shorter, even when physically curved
+ Gain in total SPL due to the additional subwoofers
+ Highly directional and homogenous dispersion pattern
+ Can partially be combined with L-R setups (inheriting its usual disadvantages)

 

Disadvantages:
- Requires a lot of physical depth between the stage and the audience
- Requires a large number of subwoofer cabinets
- Requires one dedicated DSP + amplifier channel per subwoofer row/array
- Should preferably be built with 3 or 4 rows of subwoofers rather than just 2
- The more arrays used (rows behind the front line), the more the rear cardioid pattern tends to degrade at higher frequencies
- The more arrays used, the narrower the forward coverage angle becomes at higher frequencies
Endfire 2 Rows Endfire 3 Rows
Endfire 2 Rows, Endfire 3 Rows (precise delay -> not ideal)

Endfire 2 Rows Curved Endfire 3 Rows Curved
Endfire 2 Rows Curved, Endfire 3 Rows Curved


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Also available:  Deutsch (Deutschland) 
Parent Category: Articles
08 June 2013
Last Updated: 26 June 2026
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